(15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.   Related Paintings of James Jacques Joseph Tissot :. | London Visitors | Hide and Seek | Two Sisters | Hide and Seek | Un Dejeuner |
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daniel von hogguer

Ivan Argunov
Russian Rococo Era Painter , 1727/1729-1802 Russian painter and teacher. He came from a family of serfs, belonging to the Counts Sheremetev, that produced several painters and architects. In about 1746-7 he was a pupil of Georg Christoph Grooth (1716-49), who painted portraits of the Sheremetev family. With Grooth, Argunov worked on the decoration of the court church at Tsarskoye Selo (now Pushkin). A full-length icon of St John of Damascus (1749; Pushkin, Pal.-Mus.), in Rococo style, is distinguished by its secular, decorative character. The Dying Cleopatra (1750; Moscow, Tret'yakov Gal.) is typical of Rococo decorative painting of the mid-18th century, with its striking combination of light, soft tones. Argunov subsequently painted in a quite different style, mainly producing portraits, of which about 60 are known. Among the first of these are pendant portraits of Ivan Lobanov-Rostovsky and his wife (1750 and 1754; St Petersburg, Rus. Mus.), in which the sitters are idealized, as in ceremonial court portraits.
Richard Parkes Bonington
1802-1828 Richard Parkes Bonington Locations English painter. His father, also called Richard (1768-1835), was a provincial drawing-master and painter, exhibiting at the Royal Academy and the Liverpool Academy between 1797 and 1811. An entrepreneur, he used his experience of the Nottingham lace-manufacturing industry to export machinery illegally to Calais, setting up a business there in late 1817 or early 1818. In Calais the young Richard Parkes Bonington became acquainted with Louis Francia, with whom he consolidated and expanded whatever knowledge of watercolour technique he had brought with him from England. Under Francias direction Bonington left Calais for Paris where, probably not before mid- or late 1818, he met Eugene Delacroix. The latters recollection of Bonington at this time was of a tall adolescent who revealed an astonishing aptitude in his watercolour copies of Flemish landscapes. Once in Paris Bonington embarked on an energetic and successful career, primarily as a watercolourist. In this he was supported by his parents who sometime before 1821 also moved to Paris, providing a business address for him at their lace company premises.